ARTICLES - HOT OFF THE FAGGOT

PAGAN SUN WORSHIP AND CATHOLICISM

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PAGAN SUN WORSHIP AND CATHOLICISM

THE PAGAN SUN WHEEL, THE OBELISK AND BAAL

Above is a Roman coin from the 3rd century A.D. (Probus, A.D.
276-282) which on the reverse depicts the pagan sun god driving a
chariot drawn by four horses (Sol in Quadriga). The inscription reads
SOLI INVICTO - The Invincible Sun.]

At right is a similar mosaic found in the Vatican grottoes under St.
Peter's Basilica, on the vaulted ceiling of the tomb of the Julii
(also known as "Mausoleum
M")
. It
depicts Christ as the sun-god Helios / Sol riding in his chariot, and is
dated to the 3rd century A.D. The two left horses were destroyed when
the hole was made to enter the tomb. Other mosaics in this Christian
tomb depicted Jonah and the whale, the good shepherd carrying a lamb,
and fishermen. This blending of paganism with Christianity is
syncretism, and apostasy.


At left is a pagan sun wheel in the temple at Kararak
India, which is associated with occultism and astrology. It resembles a
chariot wheel doesn't it?


Note the following verse-


2 Ki 23:11 And he took away the horses that the kings of
Judah had given to the sun, at the entering in of the house of the LORD,
by the chamber of Nathanmelech the chamberlain, which was in the suburbs,
and burned the chariots of the sun with fire.

When Israel apostatized, they made chariots dedicated to the sun god, who
it was thought, traveled across the sky in a great chariot. Hence the origin
of the sun wheel.

The Symbols of Baal, Ishtar and Shamash

Below is an artifact unearthed in the holy of holies of the pagan temple in
the Canaanite city of Hatzor / Hazor, in northern Israel. It is described as
follows:

"Of special interest is a square basalt altar for burning
incense. On one of its sides, a circle with a cross in the center � the
divine symbol of the Canaanite storm god � is carved in low relief."

"... a basalt offering table, pillar-shaped, with a carved symbol of
the storm god Baal on its side. That symbol was a circle with a cross in
the center"

... The Akkadian Ishtar is also, to a greater extent, an astral deity,
associated with the planet Venus: with Shamash, sun god, and Sin, moon god,
she forms a secondary astral triad. In this manifestation her symbol is a
star with 6, 8, or 16 rays within a circle. ...

Source: Encyclopedia Britannica Online, article on Ishtar.

The Star of Ishtar

Because some astronomical objects move through the sky in repeated and
known intervals of time, the behavior of the celestial gods associated with
them can be symbolized numerically. Ishtar, as the planet Venus, perhaps was
handled this way in the eight-pointed star that usually stands for her on
Babylonian boundary stones.

References to Venus as early as 3000 BC are known from evidence at Uruk,
an important early Sumerian city in southern Iraq. One clay tablet found at
the site says "star Inanna," and another contains symbols for the words
"star, setting sun, Inanna." Inanna is Venus, known later as Ishtar, and the
Uruk tablets specify her celestial identity with the symbol for "star": an
eight-pointed star.

So can the star within a circle, or sun wheel, be found in the Vatican in
Rome? Indeed it can!

Here is a photo of the papal palace with the pope at the
window of his apartment. Note the many eight-pointed stars of Ishtar in
the decorative work above the windows. Some are within a darker circle.
Here you see a view of the piazza or plaza at the Vatican,
also known as St. Peter's square. The papal palace is on the right edge of
the photo. The large eight-rayed sun wheel design, symbolic of Ishtar, is
immediately noticeable. Look closely in the center of the wheel. What you
see there is an obelisk, a genuine Egyptian obelisk shipped from
Heliopolis to Rome by the Roman emperor Caligula. The obelisk is, of
course, a phallic symbol,* but it also was used in sun worship. Click on
the image to view a larger version of the same image.

* It is claimed that the word 'obelisk' literally means
'Baal's shaft' or 'Baal's organ of reproduction'.  Source:
Masonic
and Occult Symbols Illustrated,
by Dr. Cathy Burns, pg. 341.

Here is an old photo of the center of St. Peter's
square, and note that around the obelisk, at the center of the huge
eight-point sun wheel, is a smaller four-pointed sun wheel, the same
symbol as found on the altar stone in the temple of Baal in Hatzor!
Here you see the reverse side of a coin celebrating the pontificate
of John Paul II, and on it is the obelisk and sun wheel of St. Peter's
piazza, and a very distinct sunburst emanating from the Basilica itself.
The correlation of the symbology is striking.

Pope John Paul II, at World Youth Day 2000, was wearing
a crimson and gold
stole
, which bears the symbols of Baal / Shamash within an
eight-pointed star of Ishtar. An enlargement is shown below.

Pope Pius XII wearing the
same stole.
 



Symbol of Baal

found in Hazor, Israel
Detail of the symbol on the papal stole.




Symbol of the

pagan sun-god Shamash

The Obelisk

The Egyptian obelisk that stands in the
square of St. John Lateran (shown at left) is the largest in existence.
Originally carved during the reign of Pharaoh Thutmoses III, it stood in
the Temple of Amon in Thebes (Karnak), but was removed to Rome by emperor
Constantius (A.D. 317-361), and placed in the Circus Maximus. In 1587 Pope
Sixtus V unearthed the fallen, broken and long forgotten obelisk and had
it repaired and placed in the Piazza S. Giovanni in Laterano.
Interestingly enough, it is possible that Moses saw this very obelisk when
he was in Egypt. Now this obelisk, meant to honor the sun god, stands
beside what Catholics call the supreme
"Mother of all Churches"
, the official cathedra of the bishop of Rome,
the Pope, which brings to mind Revelation 17: 5 and the apostate Mother
Church, Mystery Babylon, the mother of harlots, who stands accused of
fornication, a mixing of the sacred with the profane, truth with error.



Mysteries of the Nile (NOVA)



Egypt - Amazing Discoveries


OBELISK. Of the several functions of the PILLAR among early peoples,
the Egyptian obelisk was worshipped as the dwelling place of the sun-god.


Source: Illustrated Dictionary of Symbols in Eastern and Western Art by
James Hall, published by HarperCollins, 1994, page 75.


The pagan association of the obelisk was something well understood by the
church. The Jesuit scholar, Athanasius Kircher in his book Obeliscus
Pamphilius
, published in 1650, gives an account of the ancient views of
the obelisk as the digitus solis, or "finger of the sun".

Pope Sixtus V (1585 - 1590) had the Egyptian obelisks erected all over
Rome, as Counter-Reformation monuments.

The word matstsebah in Hebrew means standing images or obelisk and it can
be found in many places of the Bible. Here is Strong's definition of the
Hebrew word matstsebah-


H4676. matstsebah, mats-tsay-baw'; fem. (causat.) part. of H5324;
something stationed, i.e. a column or (memorial stone); by anal. an
idol:--garrison, (standing) image, pillar.


In the following verses matstsebah has been translated as image(s)-

Exo 23:24 Thou shalt not bow down to their gods, nor serve them, nor do
after their works: but thou shalt utterly overthrow them, and quite break
down their images.

Exo 34:13 But ye shall destroy their altars, break their images, and cut
down their groves:

Lev 26:1 Ye shall make you no idols nor graven image, neither rear you up
a standing image, neither shall ye set up any image of stone in your land,
to bow down unto it: for I am the LORD your God.

Deu 7:5 But thus shall ye deal with them; ye shall destroy their altars,
and break down their images, and cut down their groves, and burn their
graven images with fire.

Deu 12:3 And ye shall overthrow their altars, and break their pillars,
and burn their groves with fire; and ye shall hew down the graven images of
their gods, and destroy the names of them out of that place.

1 Ki 14:23 For they also built them high places, and images, and groves,
on every high hill, and under every green tree.

2 Ki 3:2 And he wrought evil in the sight of the LORD; but not like his
father, and like his mother: for he put away the image of Baal that his
father had made.

2 Ki 10:26 And they brought forth the images out of the house of Baal,
and burned them.

2 Ki 10:27 And they brake down the image of Baal, and brake down the
house of Baal, and made it a draught house unto this day.

2 Chr 14:3 For he took away the altars of the strange gods, and the high
places, and brake down the images, and cut down the groves:

2 Chr 31:1 Now when all this was finished, all Israel that were present
went out to the cities of Judah, and brake the images in pieces, and cut
down the groves, and threw down the high places and the altars out of all
Judah and Benjamin, in Ephraim also and Manasseh, until they had utterly
destroyed them all. Then all the children of Israel returned, every man to
his possession, into their own cities.

Jer 43:13 He shall break also the images of Bethshemesh, that is in the
land of Egypt; and the houses of the gods of the Egyptians shall he burn
with fire.

Micah 5:13 Thy graven images also will I cut off, and thy standing images
out of the midst of thee; and thou shalt no more worship the work of thine
hands.

Another Hebrew word is also used for "sun images" or obelisks, the word
chamman. Again, here is the Strong's definition-


H2553. chamman, kham-mawn'; from H2535; a sun-pillar:--idol,
image.


Chamman is also translated as simply image(s) in the King James:


Isa 17:8 And he shall not look to the altars, the work of his hands,
neither shall respect that which his fingers have made, either the groves,
or the images.


Isa 27:9 By this therefore shall the iniquity of Jacob be purged; and
this is all the fruit to take away his sin; when he maketh all the stones of
the altar as chalkstones that are beaten in sunder, the groves and images
shall not stand up.


2 Chr 34:4 And they brake down the altars of Baalim in his presence; and
the images, that were on high above them, he cut down; and the groves, and
the carved images, and the molten images, he brake in pieces, and made dust
of them, and strowed it upon the graves of them that had sacrificed unto
them.


Here is a close-up of the obelisk in front of St. Peter's.
Have you ever given any thought to the origin of the church steeple? Could
it be a modern representation of the pagan obelisk? Indeed!


So in St. Peter's square, the symbol of Baal is within the
symbol of Ishtar, and at the center is an Egyptian obelisk, all
representing pagan sun worship.


Pope Celebrates Palm
Sunday at Pagan Sun Pillar




Images � 2000
by CTV

Above are pictures of John Paul II, dressed in scarlet,
celebrating Palm Sunday in St. Peter's square on April 16th, 2000, with a
"grove" of potted palms and hundred-year-old olive trees placed around the
standing solar pillar (matstsebah) or obelisk, in the center of the Vatican's
large pagan solar wheel symbolizing Baal and Ishtar.

Deu 16:21 Thou shalt not plant thee a grove (asherah) of any
trees near unto the altar of the LORD thy God, which thou shalt make thee.

Deu 16:22 Neither shalt thou set thee up any image (matstsebah / pillar);
which the LORD thy God hateth.

Now below are two photos of a statue in St. Peter's
Cathedral in Rome.


SCALA Florence

It is supposedly a statue of Peter enthroned. Notice the sun
wheel above his head? This statue is thought by some to actually be a pagan
statue of Jupiter, removed from the Pantheon in Rome (a pagan temple), moved
into St. Peter's and renamed Peter. The extended right foot has been nearly
worn away from the many pilgrims who kiss it in homage. Note also that the
pattern on the wall behind the statue utilizes the symbol of Baal / Shamash!

According to the Catholic Encyclopedia online article
Portraits of
the Apostles
:


The famous bronze statue of St. Peter in the basilica of this
Apostle in Rome is by some regarded as a work of the fifth or sixth century,
by others as pertaining to the thirteenth. The latter date is adopted by Kraus
and Kaufmann among others; Lowrie, however, maintains that "no statue of the Renaissance can be
compared with this for genuine understanding of the classic dress", and,
therefore, this writer holds for the more ancient date. The marble statue of
St. Peter taken from the old basilica, now in the crypt of the Vatican, was
originally, in all probability, an ancient consular statue which was
transformed into a representation of the Prince of Apostles.


From the book Art Treasures of the
Vatican


� 1974 by Smeets Offset B.V.

Prentice-Hall, Inc.

Here you see a photo looking up into the dome of St.
Peter's. Notice the very obvious 16 ray sun wheel. Indeed the light from
the sun streams into the center hub of the dome making a genuine sun-lit
sunburst image at the center of the wheel.


As you can see from the Bible verses quoted above, these
symbols were associated with sun worship, which is strongly condemned in
scripture. So why are they so prevalent in the Roman Catholic Church, if
they are associated with paganism and apostasy?


Ezek 8:16 And he brought me into the inner court of the LORD'S house,
and, behold, at the door of the temple of the LORD, between the porch and
the altar, were about five and twenty men, with their backs toward the
temple of the LORD, and their faces toward the east; and they worshipped the
sun toward the east.

Ezek 8:17 Then he said unto me, Hast thou seen this, O son of man? Is it a
light thing to the house of Judah that they commit the abominations which
they commit here?


Read more at www.aloha.net
 

Steeples and the Church

Steeples and
the Church


George W.
Reid, Former Director

Biblical Research Institute

      This
paper reviews a document titled "Church Steeple Study," dated June 10,
1986, and presented to the Mount Vernon, Ohio, City Seventh-day Adventist
Church. Although the document of 54 pages bears no author's name, auxiliary
information suggests it to be the work of Mike Hodges, sometime pastor
in the Illinois Conference.


The
Document and Its Arguments


      "Church
Steeple Study" opposes the use of steeples in connection with Christian
churches on the grounds that incorporating a steeple into a church building
plan compromises the proper Christian rejection of paganism and permits
the encroachment of apostate attitudes and practices.

Its principal argument rests on the following series of major points:


      1.    A steeple
or tower in association with a place of worship was a feature of ancient
paganism, oriented to sun worship and fertility cultus. A common form,
especially in Egypt, followed the geometric figure known as obelisk, which
in places served also as a phallic symbol. Such pagan symbols are inappropriate
in Christian churches.

      2.    The Bible
presents in much detail the struggle of Israel to preserve the place of
traditional worship of Yahweh in face of the influence coming from surrounding
pagan religions. Many biblical passages warn of the danger that these
elements posed to the faith of Israel. These warnings are applicable today
as churches are tempted to use symbols, the steeple being one of them,
whose origins are pagan.

      3.    Ellen White's
testimony in favor of simplicity of church buildings should be interpreted
to suggest she would be opposed to the use of steeples.

      4.    Principles
of Christian stewardship should govern construction of church buildings
and preclude investing funds in a steeple.

      5.    The Battle
Creek Dime Tabernacle, with its steeple 110 feet in height serves as an
example of what to avoid. Its construction drew the criticism of Ellen
White,

      6.    Those who
made decisions about steeples on churches need to consider the sensitivities
of others who have conscientious objection to them. This is in harmony
with Paul's counsel on how to deal with sincere discenters.


Examination
of the Arguments


      Although
several of these arguments contain elements that are factual, each has
weaknesses to be taken into account as the evidence is weighed.

      1.    Towers were
a feature of places of ancient pagan worship. This observation must be
accepted as correct, for there are records of numerous examples in ancient
temples and the open sacred places of certain ancient cults. Careful examination
of their function, however, often reveals no evidence of involvement in
either sun worship or fertility rites. In many cases they seem to have
served simply as attention-getting architectural devices to mark special
buildings. Although it is possible pillars were used for sacral purposes
in some places, to treat them widely as sun-worship or phallic symbols
is unwarranted. Reliable evidence of such use is sparse.

       But a greater problem lies in logic
of this argument. If one grants such pillars to be symbols significant
to ancient pagan rites, the question then must be addressed, Did such
use in antiquity mark them forever as evil, a continuing residue of paganism?
This is the major contention of "Church Steeple Study."

       Such reasoning is unsound on several
counts.

       a.    It is widely
recognized that in the teaching of the Bible, particularly Jesus' interpretation
of the law, the essence of worship is to be found in inward acceptance
and commitment, of which outward manifestations are reflective (1 Sam
16:7, Matt 5:20-37; 12:34-35; Mark 7:21-23). This principle appears in
many different biblical settings addressing different issues. To recognize
this is not to depreciate the importance of correct worship practices,
but to establish biblical priorities.

       b.    Does an
element once applied to pagan purposes stand henceforth marked by its
pagan meaning? Clearly any form used to represent God is prohibited by
the second commandment, ruling out the use of images of God. This principle
extends beyond sculptural three-dimensional forms because to reduce God
to any visible form both limits our concept of Him and misrepresents His
nature. Artistic representations of angels and other creatures have biblical
precedent, but never as objects of adoration.

       Aside from second commandments prohibitions,
the key question is what an object means within a given culture. Clearly,
condemning modern practice on the basis of former pagan use is untenable.
To do so would disqualify virtually every object and practice in current
use, for almost everything in worship today once was used in some ancient
pagan religion. Examples come to mind easily. Most modern church buildings
borrow architectural features refined in antiquity for pagan temples,
including colonnades, pilasters, the arch, and even the pitched roof.
Ancient writings describe the use of books, music, lamps, water, tables,
chairs, wine, and bread in heathen rites prior to their mention in Hebrew
practice. Yet wine and bread were selected by Jesus Himself as symbols
to represent His blood and body, despite a history of their ritual use
in pagan temples for thousands of years beforehand. To apply today the
standard of whether an object or practice had pagan uses in antiquity
is to establish a standard not demonstrated in the Scriptures themselves.


       Readers of the Old Testament Scriptures
will recall that the temple of Solomon was flanked by two tall pillars
set in the porch at the front of the temple (1 Kings 7:21-22). Crowning
these pillars was lily work, which recalls the style of certain Egyptian
pillar motifs. If pillars are evil in themselves, we are confronted with
the irony of seeing them incorporated into the design of the temple of
the Lord as constructed by Solomon. Nor should we forget God's acceptance
of that temple (with its pillars) by setting His Shekinah presence in
it.

       As a matter of historical fact the
temple of the Lord in Jerusalem was far from unique when compared with
other religious buildings of the time. Numerous architectural parallels
are described in Lawrence T. Geraty's essay, "The Jerusalem Temple of
the Hebrew Bible in Its Ancient Near Eastern Context" (in The Sanctuary
and the Atonement, ed. A. V. Wallenkampf and W. Richard Lesher. Washington,
DC: General Conference of Seventh-day Adventists, 1981. Available from
the Biblical Research Institute). Multiple architectural parallels between
the temple in Jerusalem and other contemporaneous religious structures
support the idea that it was not the physical structure that determined
acceptability or lack of the same, but the purpose to which the structures
or features were put.

       The relevant question today is how
something is perceived in its contemporary culture. If it has lost the
suggestion of pagan affinity there is no sound reason to disqualify it
with resurrected pagan associations. The crucial questions must be: Is
it now viewed as in some way dishonorable toward God? Is its effect compatible
with the goals of the gospel of Christ? and Is it helpful? These norms
must be applied to decisions relating to steeples as well, regardless
of their similarity or dissimilarity to towers or monuments used for entirely
different purposes by some in ancient times.

       2.    The proximity
of pagan religions constituted a continuing threat to the purity of Israelite
worship. Repeatedly the Hebrews lapsed into pagan worship, yielding to
influence from contemporary neighboring religions. The records, both written
and archaeological, paint a doleful picture of capitulation. The constant
threat of syncretism and outright apostasy contributed to the later Pharisaic
mentality so well known from the New Testament. Pharasaism is remembered
for its fierce determination not to compromise in the least detail.

       "Church Steeple Study" occupies several
pages citing God's warnings to Israel against adopting elements from surrounding
pagan cults. The document contends that these warnings apply against use
of steeples today which are treated as modern adaptations of the ancient
pagan worship aids. Behind this position lies the presupposition that
despite a radical change in cultures, a tower remains today in and of
itself pagan, hence forever under the condemnation of God's ancient warnings.
The weakness of treating towers as perpetually pagan was addressed in
section 1.

       If a steeple today stands for pagan
concepts before the community, then all would agree that it is inappropriate
for Christian usage. If such connotations are absent today, the paganism
argument loses its force. Few today would contend that a steeple conjures
up in the modern mind a picture of paganism. In contrast, to most people
now it is interpreted as a Christian symbol. Although a steeple is not
an obligatory architectural feature to express Christian presence, with
some types of contemporary architecture it may be the only exterior architectural
signal to distinguish the church from a warehouse, a general-purpose auditorium,
or even an amusement hall.

       3.    Mrs. White
was an advocate of church buildings that were simple in structure (in
contrast to the Victorian inclinations to ornament), in order to bear
witness to the pilgrim character of a people whose values are controlled
by the anticipation of Christ's return. For such needless display is denial
of the message. But when read in full, she calls for substantial houses
of worship that testify to the measured reasonableness of the faith, what
she describes as the God-fearing character or the Advent movement. By
this she means substantial but not ostentatious, structure that is neat,
orderly, and attractive. Nowhere does she criticize employment of a steeple
in pursuing these goals.

       For reasons of cost and size alone,
early Adventist churches followed the simplest lines of architecture,
in common with those of other Christians along the American frontier.
It is a mistake to interpret the simple style of these buildings as a
necessary pattern or invest it with theological orthodoxy. Styles of church
buildings vary significantly among the varied cultures around the world,
each seeking to express Christian principles of the Adventist faith in
a way meaningful to its locale.

       4.    Principles
of stewardship prohibit building steeples on churches. This argument expresses
a legitimate concern but is subject to extreme expressions based on unclear
norms. Almost any architectural feature can become suspect, including
carpets, organs, padding on pews, heating, air conditioning, and others.
Valid norms could well include (a) faithfulness to the Christian witness,
(b) the impact for witness to the surrounding public, such as the church's
neighbors, (c) compatibility with the overall plan of the church, (d)
usefulness of the feature in promoting more effective worship and physical
comfort, (e) aesthetic considerations, and (f) certainly the capacity
of the congregation to fund the feature.

       The spirit of the gospel encourages
frugality and self-restraint, but not stinginess. It is generous to persons
and worthy causes and does not support a severe monastic mind-set. In
fact the concept that God's house should be nicer than our personal residences
is in harmony with biblical precedents. If a steeple could be shown to
represent an inordinate or extravagant proportion of the cost of a house
of worship, the economic argument would have a telling impact and should
be taken seriously. Typically, however, such is not the case, and often
a simple fiberglass spire represents no more than one or two per cent
of the total building cost. In such a case the argument of poor stewardship
bears little weight.

      5.    The
Battle Creek Tabernacle is a negative example. During the l870s the Adventist
community in Battle Creek increased rapidly, creating pressures for an
enlarged place of worship. A plan was devised, requesting every Adventist
to contribute a dime each month for the period of a year, a total of $1.20
each. The plan was promoted vigorously by James White and led to construction
of a 4,000-seat church with a prominent 110-foot steeple rising above
it, as well as three smaller towers. Its architectural style was typical
of the late Victorian period. The foundation stone was laid on August
19, 1878, and its dedication took place April 20, 1879, less than nine
months later. The Whites were in Texas at the time of dedication, so were
not present for the occasion.

      "Church Steeple Study" points out that
earlier church buildings in Battle Creek had been much smaller and of
simple style, suggesting that the Dime Tabernacle was an example of apostasy.
Evidence shows, however, that the new building had vigorous support of
the Whites. A list of contributors published in September 1878, shows
that of the 300 contributors to that point, only six had given more than
$100. Among the six were Mr. and Mrs. W. C. White ($224.50), James White
($205.00), and Ellen G. White (105.00).

       But all was not well in Battle Creek.
A serious spiritual problem existed, characterized by much criticism,
gossip, and mistrust. This prompted Mrs. White to send strong testimonies
urging reform (5T, 45-84). "Church Steeple Study" cites passages from
these testimonies that condemn worldliness, a luxury-seeking spirit, and
corrupt and idolatrous practices, using the term "church" as though the
testimonies disapproved of the new Battle Creek church building. In fact,
these testimonies make no reference to the building or its steeples, despite
lively correctives to the congregation for other wrongs. While arguments
from silence have limitations, her failure to cite features of the new
church building as departures from the faith must receive consideration,
especially as she catalogues numbers of other shortcomings.

       6.    Sensitivity
needs to exist toward the convictions of other Christians. This argument,
with clear biblical precedent, deserves thought. Perhaps the most well-known
example in the New Testament is the difference over circumcision and foods
offered to idols. Paul's position on these questions is enlightening.
Although on a personal basis he acted in a way to avoid giving offence
to believers with convictions contrary to his (Rom 14:1-13; 1 Cor 8:1-13),
the apostle unhesitatingly opposed the rationale behind such convictions,
going so far as instruct believers to eat whatever is sold in the market
without raising questions of conscience, built on the premise that its
prior consecration to an idol is as nothing because the idol itself is
nothing (1 Cor 10:25-27, Rom 12:14, 1 Cor 8:4). If, however, a brother's
personal sensitivities were to be offended, then he would take steps to
avoid raising offense.

       To balance this practice, however,
Paul also writes, "Why should my liberty be determined by another man's
scruples?" (I Cor 10:29). He wants it to be clear that in voluntarily
denying himself something on a personal basis he is not establishing policy
for the church as a whole.

       In the spirit of this counsel, then,
if significant discord would be raised in a local congregation today by
a steeple on the building, good judgment and Christian charity might well
lead to its omission. However, this should not encourage steeple opponents
to raise controversy in the congregation over an issue not based on valid
biblical evidence. People with strong convictions against steeples must
have opportunity to express their feelings, but they too are under obligation
to place unity in the church above private convictions and seek for harmony.



Conclusion



      The
"Church Steeple Study" document gives evidence of earnest effort to protect
the faith from compromise, especially from ancient errors in modern guise.
This effort deserves to be commended. However, several positions taken
in the document are based on inadequate information, which weakens its
force, no matter how sincere the author.

       While recognizing the sincere concern
manifest in the document, other problems lead to reservations about its
conclusions. For convenience these may be listed.

       1.    The document
is based upon incomplete and inadequate information. Superficial conclusions
prove inaccurate when subjected to the scrutiny of intensive research.
In general, citations of authority in the document rely on a limited number
of publications of a sensational or partisan character. Recognized authorities
in the fields of archaeology, ancient religions, ancient architecture,
and religious development are missing from the list of citations.

       Although one may legitimately differ
with interpretations made by recognized authorities, it is not reasonable
to dismiss the facts they have unearthed or their qualifications to come
to conclusions. We must not allow anti-intellectual sentiment to cloud
our access to fact. Nor can we rely on sensational books or articles promoting
partisan views. A number of the books cited in the document are of such
character.

       2.    By and
large the document's argument turns on the unfortunate presupposition
that something put to wrong use in the past remains objectionable today,
even though it now is in an entirely different setting. This creates a
problem of logic that, while attractive at a surface level to some, simply
is in error when all the facts are considered. Objects are of themselves
morally neutral. It is when put to a wrong use the object must be examined
in light of the message it carries. In modern culture the steeple carries
neither pagan connotation nor phallic significance. It is not reasonable
to create in the modern mind some pagan or obscene meaning in order to
be able to attack use of the object. In both presuppositions and logic
this document needs change.

       3.    The document's
use of both biblical and Spirit of Prophecy writings is at times unjustified.
Biblical condemnations of pagan practices in their own time were entirely
legitimate, a part of God's inspired message.

       The prophets cried against architectural
or natural features as they were misused in the worship of false gods.
The gods of today reflect our more sophisticated age, exhibiting themselves
as secular godlessness, materialism, commercialized sports, and other
activities whose demands for attention displace the claims of the Creator
God. In antiquity paganism challenged the principle of God's sole sovereignty
by setting up competing gods of stone, metal, or wood. Today modern life
challenges that same principle, but in altered ways.

       In the document both biblical texts
and statements from the Spirit of Prophecy are taken and used repeatedly
for the wording they contain, without the interpretative matrix of context.
This is an unwarranted use of both sources.

       Based on a careful analysis of the
information available from the Bible, Spirit of Prophecy, and ancient
religious history, there is not sound reason today to oppose steeples.
Possibly steeples are offensive to the eye on aesthetic or other grounds.
Church leaders should listen to all points of view prior to making decisions,
and then act only after weighing all the elements. Above all, it is our
Lord's will and prayer that believers be in harmony with one another,
pressing together toward the highest goal set before the church: proclamation
of the final message to the world in preparation for Jesus' return.

Read more at biblicalresearch.gc.adventist.org
 

The Pagan Origins of the Church Steeple

The Pagan Origins of the Church Steeple (New Motivational Poster)

This is a brief history emphasizing its phallic origins:

These structures long preceded Christianity, dating back to fertility ceremonies of ancient pagan religions. Pagan priests used an upright stone, pillar, obelisk, or slender tower to represent the male sex organ. Even today, a stylized union of male and female genitals is found in many cultures.

Steeples

Notice: “As to the lingam…representing the male organ, in some form or other–as upright stone or pillar or obelisk or slender round tower–it occurs all over the, world, notably in Ireland, and forms such a memorial of the adoration paid by early folk to the great emblem and instrument of human fertility, as cannot be mistaken…Above all, no doubt, there were images of the phallus and the vulva, the great symbols of human fertility” (from the website digital.library).

The Encyclopedia Britannica states this of the spire: “[it is] a symbol of the heavenly aspirations of pious medieval men” (1979). The earliest of man’s “heavenly aspirations” is recorded in Genesis 11:4: “And they said, Go to, let us build a city and a tower, whose top may reach unto heaven…” Speaking of the steeples, spires and other forms of idolatrous high places, God expressed to Israel His contempt for such structures in Leviticus 26:30: “And I will destroy your high places, and cut down your images, and cast your carcasses upon the carcasses of your idols, and my soul shall abhor you.” (Source)

Here is a more thorough examination of the history of the steeple, but with an emphasis on when it came into church building architecture (There is more research available online and in libraries to support that the steeple/obelisk has pagan origins. All you have to do is search for yourself. The history of this and other church practices can be found in the book Pagan Christianity? ):

Steeples as we know them were largely an innovation of the English, inspired by Gothic spires of Germany and France, but popularized through the dominance of Sir Christopher Wren’s building authority in London following the Great Fire of 1666. The steeple is the only surviving external architectural trait, which the earliest American settlers would allow to remain in the design of American church buildings.

The practice of building “pointed tops” on buildings traces as far back as architecture itself. Ever since the inhabitants of Babel erected a tower, which was to “reach to the heavens,” civilizations have followed suit and built structures, which point upward. Ancient cultures seem to have shared the conviction that “God and heaven are up,” and that the buildings they built should make a physical reference to this fact. Following the example of the earliest Babylonians, the Egyptians built obelisks and pyramids which suggested belief in their own progress toward immortality.[1] These vertically ambitious structures often housed the tombs of great ancient leaders who had the edifices erected in hopes that they would one day rise again, victorious over death. Only with the advent of Greek philosophy and culture did the direction of architecture change from upward to downward and outward. Greco-Roman architecture brought a pause to the ancient trend as this new, more humanistic civilization taught principles of democracy and equality.[2] Even their gods mostly lived on earth like men, so that the upward aspiration ceased to express itself in the buildings they made. Broad columns set on broad foundations symbolized their philosophy that the leadership of society should not come down from one heavenly source, but should rise up from within society as a whole.
It was not until the rise of the Roman Catholic Church that religious philosophies would once again blend in the right mixture to produce “pointy tops” to crown buildings of worship.[3] Neoplatonic philosophy and aesthetics dictated the need for architecture which inspired a sense of awe and worship. Religious architecture had always followed the lead of secular culture, as illustrated by Constantine’s basilicas, which were built to imitate the courthouses of his day. But toward the end of the Byzantine period of architecture, the Popes which followed seemed to draw inspiration from the obelisks of ancient Egypt.[4] As religious architecture began to enter the Romanesque period, points began to appear on the surfaces and corners of every cathedral built in the Holy Roman Empire. This trend would reach its pinnacle in the days of Gothic architecture epitomized by Abbot Suger’s construction of Saint Denis (around 1130-1140, see image 5). Perhaps drawing inspiration from the grandiose statues and towers of ancient Egypt, Gothic architecture sought to express divine direction through exaggerated heights and imposing solidity with the building materials selected. At this time cathedrals typically displayed 100 or more points of different types, some crowned with crosses, others simply sticking upward with bare stone or iron.

Alongside this development, feudal society had grown to revolve around religion such that the cathedrals and abbeys had begun to function as the hub of towns and villages everywhere in Europe. It became customary in Italy to build towers by the entrance of the churches which would house bells for calling the local inhabitants to worship.[5] These bell towers, named “campaniles,”[6] served the further purposes of chiming the hours throughout the week and of warning citizens of coming danger. In the colder climates of Northern Europe, builders attached the bell towers to the west entrance of the churches, perhaps for convenience. These came to be called “west work” (German: westwerk) towers and had two towers on either side for decorative purposes (see images 7 and 8). As with everything else during the Romanesque and Gothic periods, these grew to be more elaborate as time went on, showcasing a proliferation of points and crosses on every surface. During this time period, the most imposing spires would appear atop these west work towers and also at the crown of “cupolas,” which were originally domed openings at the center of cruciform (cross-shaped) cathedrals. While some of these cupolas housed bells, others merely served to provide a decorative opening in the middle of the cathedral for skylight and ventilation. These two spire locations together constitute the European origin of the modern “steeple.”

Shortly before Gothic architecture began to give way to the neo-classicalism of the Renaissance, the shape and prominence of the spire began to change at the hands of the architects of northern Europe and England. Rather than building twin towers on the western entrance as before, Michael Parler uniquely designed a single massive spire for the cathedral at Strasbourg in 1385.[7] Subsequent designs were favored over Parler’s original conception, but the singularity of the spire remained in the final building of the cathedral (see image 9). A handful of cathedrals built later, like those at Vienna and Ulm, drew inspiration from Strasbourg’s innovation (see images 10 and 11). But while the French built their spires and towers low, thick, and centrally located on cathedral roofs, English architects exerted their national individuality by dropping the cupola-type spire and focusing on the tower at the west entrance of their church buildings, building them taller and thinner.[8] The size, shape, and decor of these spires varied largely according to what materials were available to the builders of each region. Consequently, the most developed versions appeared in Somersetshire and north Northamptonshire (see images 12 and 13), where good limestone was available.[9] The steeples of England, while by no means uniformly used throughout the country, were a common occurrence during the 1400′s. These towers usually housed bells and functioned in much the same way as the west work towers of Germany and France, and the campaniles of northern Italy.

Before 1666, towers of each architectural period filled the skyline of London, marking its gradual development and multifaceted history. But in 1666 a terrible fire swept across the entire city, damaging or destroying 86 of its 106 churches.[10] Charles II then commissioned Sir Christopher Wren (1632-1723), a renowned astronomer, anatomist, and architect, to oversee the redesigning of the churches of London (see short biography below). This very expensive reconstruction period resulted in a much more homogeneous style of architecture for what was already one of the most culturally influential cities in the world.[11] Most of Wren’s buildings brandished monumental steeples of elaborate construction (see image 14, St. Mary Le Bow, his first to design, and image 15, St. Clement Danes). Taking a little influence from the Gothic spires of France and Germany, Wren boldly established the dominance of the steeple in the architecture of London in what appears to be the development of his own stylistic innovation. Concerning Wren’s development of the steeple, Furst writes:



This is a work of art evolved from an imagination which clearly worked empirically and individualistically– we might even say, esoterically– and which owed nothing to historical precedents.[12]



While Wren had help from other designers, most notably Robert Hooke,[13] his oversight gave direction to the architecture of London for decades to come. In 1680, Wren completed the steeple of the church of St. Mary-Le-Bow, the first great steeple of his many reconstructions. Citizens of London were so impressed with its size and beauty that it soon became the model for most of the churches to follow.[14] Unlike the elaborate churches of the continent, the London churches were squeezed between city buildings, often sharing walls with them. Therefore the steeples became the sole opportunity for embellishment and architectural display above otherwise plain buildings.[15] From this point on, the steeple becomes a bulwark of Anglo-Saxon architecture par excellence.

As both Congregationalists and puritans migrated across the Atlantic, the influence of Reformed theology remolded and reshaped the vocabulary and culture of all who came. The early puritans did not call their religious buildings “churches,” rather they called them “meeting houses” to reflect their conviction that the people of God are the only true dwelling place of God.[16] The early settlers of the States were vigorous in their reformation of religious concepts that had their roots in Catholic theology. Consequently, the architecture of the New World dropped most of the extravagance of European church architecture, at first eliminating even the steeple. The meeting houses of early America exhibited an understated, square design that differed little from a municipal hall.[17] However, as the Anglican Church presence increased on the east coast, spired church buildings appeared again with traces of the older European pedigree. Throughout the colonies, the spread of affluence and the subsequent demand for sophistication brought the Old World architecture back into vogue.

Interestingly, parishioners in these places renewed the habit of referring to their buildings as “churches,” while architecturally demonstrating the flamboyance which such an appellation would demand.[18] As these churches multiplied in the early 18th century, the dominant influence of Sir Christopher Wren’s London churches became immediately apparent. The architects of model churches in New England, such as the Christ Church in Boston (image 16) or the church of the same name in Philadelphia (image 17), obviously drew their inspiration from the designs of Wren and his successor, James Gibbs.[19] By the start of the 19th century even the staunchest Calvinists were erecting full-size steeples atop their meeting houses.[20] These steeples were made out of wood because that was the most abundant material in the land. Consequently, their decor necessarily disposed with the more elaborate embellishment, which stone constructions allowed. They originally housed bells to function in towns and cities just as the campaniles and west works did in the medieval times of Europe. But how did the Congregationalists rationalize the architectural accommodation, which they formerly treated with such contempt? Perhaps they allowed this because Reformed theology considered the church to be the heart and foundation of any society blessed by God; and by keeping the steeple in church architecture, travelers and citizens alike could look and see demonstrated the centrality of the church, and therefore the centrality of God, in civilization.[21]

The steepled “meeting house” concept dominated the landscape until the time of the neo-classical revival of the early 1800′s,[22] and the Darwinian revolution of science and religion in the United States. Since that time, American churches frequently appear with Doric columns and archways reminiscent of ancient Rome,[23] but with the added essential of the steeple (see any Baptist church). Today steeples typically do not house bells since modern society no longer requires their services for marking time or for warning of coming danger. In fact, ever following the lead of contemporary architecture worldwide, modern churches frequently leave off the steeple altogether in favor of a more functional multi-purpose appearance. But the steeple remains a dominant figure across the skyline of the cities and towns of the United States. (By Neil Carter – Source)

Bibliography

Anderson, William. The Rise of the Gothic. London: Hutchinson and Co., 1985

Bushman, Richard. The Refinement of America. New York : Knopf, 1992.

Crewe, Sarah. ed. Visionary Spires. London: Waterstone & Co., 1986.

Cunningham, Colin. Stones of Witness. Gloucestershire: Sutton Publishing, 1999.

Furst, Viktor. The Architecture of Sir Christopher Wren. London: Lund Humphries, 1956.

Havass, Zahi. The Pyramids of Ancient Egypt. Pittsburgh: Carnegie Museum of Natural History, 1990.

Jeffery, Paul. The City Churches of Sir Christopher Wren. London: The Hambledon Press, 1996.

Norman, Edward. The House of God. London: Thames & Hudson, 1990.

Short, Ernest H. A History of Religious Architecture. N.Y.: The MacMillan Company, 1936.

Wickes, Charles. Illustrations of the Spires and Towers of the Medieval Churches of England. New York: Hessling & Spielmeyer, 1900.

Williams, Peter. Houses of God. Chicago: Univ. of Illinois Press, 1997.

[1] Zahi Havass, The Pyramids of Ancient Egypt, Pittsburgh: Carnegie Museum of Natural History, 1990, p.1. Also Ernest H. Short, A History of Religious Architecture, N.Y.: The MacMillan Company, 1936, p.13

[2] Short, p. 167.

[3] Ibid., p.166-167. Also William Anderson, The Rise of the Gothic, London: Hutchinson and Co., 1985, pp.15-17.

[4] Edward Norman, The House of God, London: Thames & Hudson, 1990, p. 160.

[5] Charles Wickes, Illustrations of the Spires and Towers of the Medieval Churches of England, New York: Hessling & Spielmeyer, 1900, p.18.

[6] Named after Campania, the region around Naples where the metal for making the bells was found, see image 6.

[7] Sarah Crewe, ed., Visionary Spires, London: Waterstone & Co., 1986, p.14.

[8] Ibid, p.18, 21.

[9] Colin Cunningham, Stones of Witness, Gloucestershire: Sutton Publishing, 1999, p. 61.

[10] Paul Jeffery, The City Churches of Sir Christopher Wren, London: The Hambledon Press, 1996, p.18.

[11] Peter Williams, Houses of God, Chicago: Univ. of Illinois Press, 1997, p.9.

[12] Viktor Furst, The Architecture of Sir Christopher Wren, London: Lund Humphries, 1956, p.16.

[13] Jeffery, p.31, 130.

[14] Ibid., p.49.

[15] Ibid., p.88

[16] Williams, p.7.

[17] Richard Bushman, The Refinement of America, New York : Knopf, 1992, p.336.

[18] Williams, p.8.

[19] Bushman, p. 170, 173-4.

[20] Ibid., pp. 341-342.

[21] Cunningham, p.60.

[22] Ibid, p.5.

[23] Bushman, p.338.

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The Cincinnati Bible Wars:

When the KJV Was Removed From Public Schools

Amplify’d from www.christianpost.com

The Cincinnati Bible Wars: When the KJV Was Removed From Public Schools

By Warren Throckmorton, PhD|Christian Post Guest Columnist

The month of May marks 400 years since the publication of the King James Version of the Bible. The most published book in history, the KJV was once widely read in public schools around the nation. However, in 1872 that trend was reversed by the Ohio Supreme Court in Minor v. Board of Education of Cincinnati which addressed what was called at the time, the “Cincinnati Bible Wars.” In 1869, the Cincinnati Board of Education voted to remove the KJV from the public schools, sparking angry protests and petition drives locally and news interest from coast to coast. Initially, the removal of the KJV was proposed to attract Catholic families who were troubled by readings of the Protestant KJV.

warren throckmorton

However, the case soon became a dispute about the role of religion generally in the public schools. Proponents of the Bible argued that America was a Christian nation with the Bible as the foundation. Opponents argued that the mandatory Bible reading of the KJV unconstitutionally privileged Protestant Christianity.

Modern day proponents of America as a Christian nation, such as Wallbuilder’s David Barton and the American Family Association’s Bryan Fischer have proposed that the First Amendment to the Constitution was meant to prevent the nation from establishing a denomination of Christianity as a national religion but was not meant to address the religious freedom of non-Christian religions. To be sure, at the time, there were those who wanted an explicitly Christian nation. However, as adopted the First Amendment would collapse into contradiction if Barton’s and Fischer’s views were accurate.

Christianity would have been established in exclusion of other beliefs, the very result forbidden by the amendment.

The reasoning of the Ohio court regarding the KJV in public schools is worth considering in light of current debates over the relationship of church and state. Proponents of Bible reading had appealed to section 7, article 1, of the Ohio constitution which states: "Religion, morality, and knowledge, however, being essential to good government, it shall be the duty of the general assembly to pass suitable laws, to protect every religious denomination in the peaceable enjoyment of its own mode of public worship, and to encourage schools and the means of instruction.” This of course is adapted from the Northwest Ordinance, the federal statute which provided rules for admission of new states from the western territories. Those favoring the KJV argued, among other points, that the Ohio Constitution allowed Bible reading since religion was to be encouraged. The Ohio Supreme Court disagreed and reversed the lower court, thus agreeing with the Cincinnati school board. The Ohio court addressed the concept that the constitutions of the nation and the state meant Christian when religion was written. The logic is clear and compelling. Referring to section 7, article 1 of the Ohio Constitution, the Justice John Welch wrote:

“The real claim here is, that by "religion," in this clause of the constitution, is meant "Christian religion," and that by "religious denomination" in the same clause is meant "Christian denomination." If this claim is well founded, I do not see how we can consistently avoid giving a like meaning to the same words and their cognates, "worship," "religious society," "sect," "conscience," "religious belief," throughout the entire section. To do so, it will readily be seen, would be to withdraw from every person not of Christian belief the guaranties therein vouchsafed, and to withdraw many of them from Christians themselves. In that sense the clause of section 7 in question would read as follows:

"Christianity, morality, and knowledge, however, being essential to good government, it shall be the duty of the general assembly to pass suitable laws to protect every Christian denomination in the peaceable enjoyment of its own mode of public worship, and to encourage schools and the means of instruction."

Nor can I see why, in order to be consistent, the concluding clause of section 2, article 6, should not read as follows: . . . . "But no Christian, or other sect or sects, shall ever have any exclusive right to or control of any part of the school funds of the state; but Christians, as a body, including all their sects, may have control of the whole of said funds."

I do not say that such a reading of the sections in question is literally contended for; and yet I see no fair escape from it, if the word "Christianity," or the words "Christian religion," or "the religion of the Bible," are to be interpolated, or substituted for the word "religion," at the place indicated.”

The court here correctly notes the real substance of the argument in favor of daily Bible reading in the Cincinnati public schools. Those arguing for the reading of the KJV were arguing that the framers meant Protestant Christianity when they wrote religion into the founding documents, i.e., the Barton/Fischer view. On the contrary, the Ohio court offered this rebuttal:

“If, by this generic word "religion," was really meant "the Christian religion," or "Bible religion," why was it not plainly so written? Surely the subject was of importance enough to justify the pains, and surely it was of interest enough to exclude the supposition that it was written in haste, or thoughtlessly slurred over. At the time of adopting our present constitution, this word "religion" had had a place in our old constitution for half a century, which was surely ample time for studying its meaning and effect, in order to make the necessary correction or alteration, so as to render its true meaning definite and certain. The same word "religion," and in much the same connection, is found in the constitution of the United States. The latter constitution, at least, if not our own also, in a sense, speaks to mankind, and speaks of the rights of man. Neither the word "Christianity," "Christian," nor "Bible," is to be found in either. When they speak of "religion," they must mean the religion of man, and not the religion of any class of men. When they speak of "all men" having certain rights, they cannot mean merely "all Christian men." Some of the very men who helped to frame these constitutions were themselves not Christian men.

We are told that this word "religion" must mean "Christian religion," because "Christianity is a part of the common law of this country," lying behind and above its constitutions. Those who make this assertion can hardly be serious, and intend the real import of their language. If Christianity is a law of the state, like every other law, it must have a sanction.

Adequate penalties must be provided to enforce obedience to all its requirements and precepts. No one seriously contends for any such doctrine in this country, or, I might almost say, in this age of the world. The only foundation -- rather, the only excuse -- for the proposition, that Christianity is part of the law of this country, is the fact that it is a Christian country, and that its constitutions and laws are made by a Christian people.”

The United States does have a Christian heritage, of this there can be no doubt. At the time, even unbelievers had been schooled in the Bible and knew the themes and stories. Those who rejected the miracles and the Trinitarian view of God, such as Jefferson, Adams and Franklin, were men who believed that the moral teachings of Jesus were sound. However, as the Ohio court opines, the state cannot coerce conscience, Christian or otherwise. The state adds nothing of spiritual significance to the church, while the church has no need of the state’s imprimatur.

One of the lawyers opposing the KJV in Cincinnati schools was Thomas Stanley Matthews. Matthews was a Presbyterian elder and staunch Christian who later became an Associate Justice of the US Supreme Court. His legal brief in the case reads like a theological treatise against giving the state power to enforce religious views on citizens.

Matthews revered the Bible but believed that the Christian position was to reject state coercion of individual conscience. As evidenced above, the Ohio court agreed with Matthews and provided its own lesson in theology. Judge Welch argued that Christianity needed no state support, saying

“True Christianity asks no aid from the sword of civil authority. It began without the sword, and wherever it has taken the sword it has perished by the sword. To depend on civil authority for its enforcement is to acknowledge its own weakness, which it can never afford to do. It is able to fight its own battles. Its weapons are moral and spiritual, and not carnal.”

Will the Bible, KJV or otherwise, last another 400 years? I suspect it will, and not because Christians win the culture war or establish the Bible in public institutions. The Bible lasts because it is timeless in Authorship and content, and because it speaks to the deepest needs of people.

Warren Throckmorton, PhD is an associate professor of psychology at Grove City College and fellow for psychology and public policy with the Center for Vision & Values. He can be reached via his blog, http://www.wthrockmorton.com/.
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Court: KHPA violated freedom of religion

Amplify’d from cjonline.com

Court rules KHPA violated freedom of religion

The State Court of Appeals on Wednesday ruled that a Kansas Health Policy Authority decision denying a Hill City Jehovah’s Witness request for prior authorization for an out-of-state liver transplant violated her right to the free exercise of religion under the state and federal constitutions, officials said.

The decision came in a lawsuit filed by Mary D. Stinemetz against the KHPA after the agency denied Stinemetz' prior authorization for her surgery. Stinemetz, a practicing Jehovah's Witness, has been diagnosed with end-stage liver disease and needs a liver transplant, but her religious beliefs prohibit whole blood transfusions. Her religious beliefs also do not allow her own blood to be removed from her body and stored for later use in a surgical procedure.

Writing for a unanimous three-judge panel of the Court of Appeals, Judge Thomas E. Malone said the KHPA denial violated her right to the free exercise of religion guaranteed by the First Amendment to the United States Constitution and the Kansas Constitution Bill of Rights. Besides Malone, the Court of Appeals panel included Judges Steven D. Hill and Michael B. Buser.

The court held that the evidence showed there is a medically accepted technique, known as a bloodless liver transplant, in which liver transplant surgery can be performed without a blood transfusion, although many medical facilities do not consider this technique to be the safest procedure. There is no medical facility in Kansas that performs bloodless liver transplants, but theNebraska Medical Center in Omaha  in is willing to perform the surgery.

“The available evidence indicates that the bloodless technique is less expensive than a procedure involving blood transfusions. The available evidence indicates that a bloodless liver transplant is a medically accepted technique offered by several medical facilities in other states, including the Nebraska Medical Center in Omaha and at the University of Oklahoma,” Judge Malone wrote.

Because Stinemetz is a Medicaid beneficiary, she requested prior authorization from the KHPA for an out-of-state liver transplant. There is no question that the KHPA would authorize a liver transplant for Stinemetz in Kansas, including a bloodless liver transplant, if a medical facility was available in to perform the technique. However, the KHPA denied Stinemetz' request for out-of-state services on the ground that her religious preference did not constitute a medical necessity. The district court affirmed the KHPA's decision.

On appeal, the judges found there is nothing in the language of the Kansas Medicaid regulations to indicate that the regulations either were enacted or are enforced in such a way as to target Jehovah's Witnesses.

However, the regulations allow for the KHPA to make exceptions to the general rule that out-of-state services are not covered by Medicaid. Because the regulations allow for exceptions, under the First Amendment the KHPA cannot refuse to grant an exception to cover Stinemetz' religious hardship without providing a compelling reason. "Here, the KHPA has failed to suggest any state interest, much less a compelling interest, for denying Stinemetz' request for prior authorization for the out-of-state liver transplant," Judge Malone wrote.

The Court of Appeals also determined, under existing Kansas precedent, that Stinemetz has even greater protections concerning the free exercise of religious beliefs under  the Kansas Constitution Bill of Rights than under the federal constitution. Here, the district court had found that Stinemetz' religious beliefs were sincerely held, and the KHPA did not challenge that finding on appeal. Because the KHPA failed to offer any compelling reason for denying Stinemetz' request for the surgery, the Court of Appeals determined that the KHPA's decision violated Stinemetz' rights under the constitution.

The Court of Appeals reversed the Graham County District Court and remanded the case with directions that the KHPA grant Stinemetz' request for prior authorization for the out-of-state liver transplant.

Read more at cjonline.com