ARTICLES - HOT OFF THE FAGGOT

THE MONSTRANCE: THE WAFER GOD

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PAGAN SUN WORSHIP AND CATHOLICISM

THE MONSTRANCE and the WAFER GOD


Exo 20:4 Thou shalt not make unto thee any graven image, or
any likeness of any thing that is in heaven above, or that is in the earth
beneath, or that is in the water under the earth:

Exo 20:5 Thou shalt not bow down thyself to them, nor serve them: ...

Acts 19:26 Moreover ye see and hear, that not alone at
Ephesus, but almost throughout all Asia, this Paul hath persuaded and turned
away much people, saying that they be no gods, which are made with hands:

Note that the commandment of God forbids making and bowing
down to images. Among pagans, perhaps the most common form of idolatry is sun
worship, and the above prohibition would clearly exclude bowing down before
images of the sun or moon (things in the heaven above). But then God gets even
more explicit:

Deu 17:2 If there be found among you, within any of thy
gates which the LORD thy God giveth thee, man or woman, that hath wrought
wickedness in the sight of the LORD thy God, in transgressing his covenant,

Deu 17:3 And hath gone and served other gods, and worshipped them, either
the sun, or moon, or any of the host of heaven, which I have not commanded;

Deu 17:4 And it be told thee, and thou hast heard of it, and inquired
diligently, and, behold, it be true, and the thing certain, that such
abomination is wrought in Israel:

Deu 17:5 Then shalt thou bring forth that man or that woman, which have
committed that wicked thing, unto thy gates, even that man or that woman,
and shalt stone them with stones, till they die.

Jer 8:1 At that time, saith the LORD, they shall bring out
the bones of the kings of Judah, and the bones of his princes, and the bones
of the priests, and the bones of the prophets, and the bones of the
inhabitants of Jerusalem, out of their graves:

Jer 8:2 And they shall spread them before the sun, and the moon, and all the
host of heaven, whom they have loved, and whom they have served, and after
whom they have walked, and whom they have sought, and whom they have
worshipped: they shall not be gathered, nor be buried; they shall be for
dung upon the face of the earth.

Jer 8:3 And death shall be chosen rather than life by all the residue of
them that remain of this evil family, which remain in all the places whither
I have driven them, saith the LORD of hosts.

With that in mind, lets look at solar and lunar images
directly associated with the Catholic Mass.

From the "Be Not Afraid" series of
videos, Copyright © 1992,


Apostolate
for Family Consecration
 
Here is Pope John Paul II holding what is called a Monstrance or
Ostensorium. It is used to display a round wafer of bread, called the
host, which is used in what is called the Mass, Lord's Supper, Communion
or Eucharistic meal. The Catholic believes this wafer of bread turns
into the actual body of Christ when consecrated during the Mass. 

The Roman Catholic Church even admits the Monstrance to be a sunburst:


"During the baroque period, it took on a rayed form of a sun-monstrance
with a circular window surrounded by a silver or gold frame with rays."


Source:  The Dictionary of the Liturgy by Rev. Jovian P.
Lang, OFM., published and copyrighted © 1989 by Catholic Book Publishing Co.,
New York, ISBN 0-89942-273-X, page 436.



Photo of a Monstrance in the Vatican
Museum


From the book "The New Illustrated Great Controversy"

Copyright ©
LLT Productions

- Used by Permission

In fact, according to the 
1913 edition of the
Catholic Encyclopedia-


The most appropriate form (for the monstrance) is that of the sun
emitting its rays to all sides (Instructio Clement., 5). [See Altar Vessels:
Ostensorium]


Notice the letters SFS in the small sunburst blaze on the large close up of
a Monstrance above? Each of the letters is a universal symbol for the number 6
in the pagan mysteries, so to the pagan it reads 666! The
number 666 is also associated with what is called the "magic square of the
sun
". The practice of equating names and letters with numbers is called
gematria.

The letter F:

The Hebrew letter Vau (V) has a value of 6. The English letter F is a
descendant of Vau and retains the same value. The letter F is also the 6th
letter of the English alphabet. In pagan numerology the letters F, O, and X
have the value of 6.

The Greek symbol Digamma also looks like the letter F and has a value of
6.

The letter S:

The Greek equivalent of Vau is the letter Stau, which looks like an S,
and it also has the value of 6.

Sources: The Modern Numerology by John King, published by
Blandford, Copyright © 1996, ISBN 0-7137-2560-5, page 121 / Behind
Numerology
, by Shirley Blackwell Lawrence, published by Newcastle
Publishing Co., Inc., Copyright © 1989, ISBN 0-87877-145-X, page 93 /
Jesus Christ Sun of God
, by David Fideler, Copyright © 1993, published
by Quest Books of Wheaton Illinois and Madras India, ISBN 0-8356-0696-1,
page 27.

And the flaming Sacred Heart located just below the SFS is actually
symbolic of Baal / Tammuz!

(See  Consecration to Flaming
Sacred Hearts
)

The priest (here the Pope) sometimes holds up the sunburst monstrance
with the host encased for the congregation to adore and venerate.
Virtually any time the monstrance, a pagan sun symbol, is viewed by the
congregation, they kneel in submission. A Catholic cannot walk past this
sun symbol without acknowledging it by kneeling and or making the sign of
the cross with their hands.

From the "Be Not Afraid" series of
videos,

Copyright © 1992,


Apostolate for
Family Consecration

monstrance2.jpg (14750 bytes)

Remember God's commandment forbidding bowing down to images? How
can the Catholic justify bowing down before a sun image in veneration?
They will tell you that they are paying homage to the host, bread they
believe has actually turned into the actual body and blood of Jesus
after being consecrated by a priest. Since the wafer, they believe,
has been transformed into God Himself, it is the round wafer god
inside
the sunburst monstrance that they bow down to in worship,
not the sunburst monstrance. However, the round wafer of bread
itself
is also a sun symbol, which is sometimes made quite obvious
in Catholic representations of the host in various forms of artwork.


Above is the huge processional monstrance of the

Cathedral of
Toledo
, Spain, made of gilded solid silver and solid gold, being
paraded through the streets for public display on the festival of Corpus
Christi. It is said to contain 18 kg (40 pounds) of gold, and 183 kg (400
pounds) of silver, for a total weight nearing 1/4 ton of precious metals.

The great monstrance of the cathedral of Toledo, which is
more than twelve feet high, and the construction of which occupied in all
more than 100 years, is adorned with 260 statuettes, one of the largest of
which is said to be made of the gold brought by Columbus from the New World.

Source: Catholic Encyclopedia Online,
Ostensorium
(Monstrance)
.

Another very large monstrance has recently been made for St.
Stanislaus Kostka Church in Chicago that stands 9 feet tall. It depicts the
Ark of the Covenant, 2 Cherubim on either side with wings overspread, and
Mary in place on the Ark's mercy seat!
On
her chest is the sunburst symbol that contains a one foot wide wafer host.
This is blasphemy and idolatry, depicting Mary on the throne of God in the
Holy of Holies of the Sanctuary!

The Sanctuary of the Divine Mercy.

At right is the general sunburst pattern used to symbolize the host,
the supposed "true body" of Christ. This design has also been adopted by
the Jesuits as their symbol. The IHS is thought by some to represent the
first letters of each word in the Latin phrase Iesus Hominum Salvator
(Jesus Saviour of Men), although according to the Catholics themselves
they actually represent the first three letters of the name "Jesus" in
Greek (spelled in Greek iota-eta-sigma-omicron-upsilon-sigma). The pagan
though, would quickly see the same sun disk symbol associated with many
pagan deities of Egypt, among them Isis, Horus, and Seb. In Egyptian
mythology Seb (Geb) was the father of the goddess Isis (Aset), the
mother and protectress of her divine son Horus (Harpocrates). Horus (the
younger) is frequently depicted on Egyptian temples as a winged sun
disk, representing the rays of the rising sun.

The British Museum.

At left is a statuette of the Egyptian
goddess Isis. Her headdress shows the sun disk within the horns of an
Apis bull, symbology which is virtually identical to that of the
sunburst monstrance. Also of note, in Isis lap is her infant son, Horus.
In this one image you have the symbology of  the Catholic
monstrance and Mother / child worship which is so prominent in
Catholicism.

The Egyptian pharaoh also claimed to be the embodiment
of Horus on earth, much like the pope claims to be the infallible Vicar
of Christ on earth.

The Apis bull, as depicted in this Egyptian statuette,
is likely to be the pattern used for the golden calf the Israelites made
at Mount Sinai (Exo. 32), since they were undoubtedly quite familiar
with it as a result of their long captivity in Egypt. Note that in front
of the sun disk and horns, which looks virtually identical to some
Catholic monstrances, there is the serpent poised to strike. In
Scripture the serpent is symbolic of Satan. (Gen 3, Rev. 12:9)

The British Museum.

UBI PETRUS - IBI ECCLESIA

Where Peter is, there is the Church

At left is the reverse side of a medal commemorating the
Catholic Eucharistic Congress held in Chicago in 1926 (On the front
there is a bust of Pope Pius XI). Note that the round wafer host above
the golden cup is portrayed as a radiant sunburst.

The Worship of Baal is Sun Worship

Below is an artifact unearthed in the holy of holies of the pagan temple in
the Canaanite city of Hatzor / Hazor, in northern Israel. It is described as
follows:

"Of special interest is a square basalt altar for
burning incense. On one of its sides, a circle with a cross in the
center – the divine symbol of the Canaanite storm god – is carved in low
relief."

"... a basalt offering table, pillar-shaped, with a carved symbol of
the storm god Baal on its side. That symbol was a circle with a cross in
the center"

2 Ki 23:3 And the king [Josiah] stood by a pillar, and made a covenant
before the LORD, to walk after the LORD, and to keep his commandments and
his testimonies and his statutes with all their heart and all their soul, to
perform the words of this covenant that were written in this book. And all
the people stood to the covenant.

2 Ki 23:4 And the king commanded Hilkiah the high priest, and the priests of
the second order, and the keepers of the door, to bring forth out of the
temple of the LORD all the vessels that were made for Baal, and for the
grove, and for all the host of heaven: and he burned them without Jerusalem
in the fields of Kidron, and carried the ashes of them unto Bethel.

2 Ki 23:5 And he put down the idolatrous priests, whom the kings of Judah
had ordained to burn incense in the high places in the cities of Judah, and
in the places round about Jerusalem; them also that burned incense unto
Baal, to the sun, and to the moon, and to the planets, and to all the host
of heaven.

2 Ki 23:6 And he brought out the grove from the house of the LORD, without
Jerusalem, unto the brook Kidron, and burned it at the brook Kidron, and
stamped it small to powder, and cast the powder thereof upon the graves of
the children of the people.

Baal Worship in Canaan    Baal worship revolved
around two themes that represented the conception of Baal his worshipers
held. Baal was both the sun-god and storm-god. He was worshiped as sun-god
when the people wished to express thanks and gratitude for light and warmth
and fertility.

Source: Holman Bible Dictionary, Computer version, entry on Baal
by James Newell.

BAAL AS A DEITY

... in many Chanaanite, Phoenician, or Palmyrene shrines,
the sun was the Baal worshipped, ...

Source:
The Catholic
Encyclopedia
Online, entry on Baal, Baalim.

Here the Eucharistic host, as Catholics call it, has actually been
made as a sunburst (note the flames around the edge). This sun symbol,
after consecration, is called the true body of God, to be adored and
bowed down to and worshipped by the laity, especially when displayed
inside a sunburst monstrance.

Note the similarity to the symbol of Baal from Hatzor: a cross within
a circle.

Catholic Sunburst Eucharist Host 
From the video "This is my Body, This
is my Blood,

Miracles of the Holy Eucharist" by

Bob and Penny Lord


Copyright © 1988.
Above photo by Richard Lannoy
At left is a pagan Canaanite cultic pillar or
"matstsebah", also found in excavations of the city of  Hatzor,
showing hands raised in praise to the sun disk, portrayed within the
crescent moon.

Deu 16:22 Neither shalt thou set thee up any image (matstsebah); which
the LORD thy God hateth.


On the cover of  the Jan/Feb 2000 edition of

Envoy
Magazine
, a Catholic publication, an elevated consecrated host of
the Eucharist is unmistakably depicted as a bright yellow sun disk against
the background of a cloudy blue sky!

Image from the "Be Not Afraid" series of
videos, Copyright © 1993,

Apostolate for Family Consecration,

P.O. Box 151, Bloomingdale Ohio, 43910.
At left is pope John Paul II celebrating Mass, elevating a
large host for adoration. Note the similarity with the pagan Canaanite
pillar!

Do you think this is what Jesus had in mind at the Last Supper? No, when He
"broke bread" He handed His disciples a torn fragment of unleavened
bread, that symbolized His sinless broken body on the cross, but this is NOT
what is conveyed with a pressed, round, intact and unbroken wafer that has
been so commonly used.

Now, a Catholic might respond: the manna that fell from heaven was ROUND:


Exo 16:14 And when the dew that lay was gone up, behold, upon the face of
the wilderness there lay a small round thing, as small as the hoar frost on
the ground.


Voila! The round disk-like wafer host of the Mass is a copy of God's
manna!

No. Not, so fast. Note that scripture give us a description of manna in
size, shape, color and taste:

Exo 16:14 And when the layer of dew lifted, there, on the surface of the
wilderness, was a small round substance, as fine as frost on the ground. [NKJV]

Exo 16:31 And the house of Israel called the name thereof Manna: and it
was like coriander seed [in size and shape], white [color]; and the taste of
it was like wafers made with honey. [KJV]

Num 11:7 And the manna was as coriander seed [in size and shape], and the
colour thereof as the colour of bdellium [white].

Num 11:8 And the people went about, and gathered it, and ground it in mills,
or beat it in a mortar, and baked it in pans, and made cakes of it: and the
taste of it was as the taste of fresh oil. [KJV]

Psa 78:24 he rained down manna for the people to eat, he gave them the
grain of heaven. [NIV]

Psa 78:24 And had rained down manna upon them to eat, and had given them of
the corn of heaven. [KJV]

The size and shape of manna

Exodus 16:14 tells us manna was small, small like the frost on the ground.
We are also told in Exodus and Numbers that manna was like Coriander seed.
Coriander is common today, and is used in brewing beer. It is round like a
ball
, and quite small. Eight to ten Coriander seeds might fit in
the space of a pea. A picture of one ounce (hundreds) of
Coriander Seeds.
So Coriander is a miniscule round seed.

In Psalm 78 manna is further described as the grain or corn
of heaven. In Strong's the word in Psalm 78 is:


H1715. dagan, daw-gawn'; from H1711; prop. increase, i.e. grain:--corn
([floor]), wheat.


Manna, therefore, was small and round like a ball, similar to a small seed
grain.

The color of manna

The meaning of bdellium is somewhat uncertain, however, similar words in
other languages favor identification with a resinous gum. In droplet form, the
gum may have the appearance of a pearl, white. Exodus 16:31 confirms that
manna was white in color by plainly stating it.

The taste of manna


Exo 16:31 ... the taste of it was like wafers made with honey.


Num 11:8 ... the taste of it was as the taste of fresh oil.


As described in the Bible, manna resembled Coriander in size and shape: it
was like a grain, like a small white round ball-like seed which was collected,
ground up, and baked to make cakes, like wheat is ground to make bread. So,
no, the Catholic wafer host does not imitate manna in either size
or shape.

Here is a Catholic Web page advocating that churches begin a program
of perpetual 24 hour adoration
(worship), of the wafer host:

You might call this the perpetual worshipping of "God in (of ?) the
Sunburst Monstrance".

Here are additional pictures of monstrances online-



Museum of Monte Cassino, Italy.



The
Eucharistic Miracle of Lanciano.


The last item is quite extraordinary. In the 8th century, it is
alleged that the host and wine turned into actual living flesh and blood
during a Mass, which it is said, remain well preserved in a monstrance
in Italy to this day.


On the right is a photo of a stele from Ur of the
Chaldees, with the symbol of the Babylonian sun god Shamash within the
crescent of the moon goddess Nanna.

Stele of Ur-Nammu, detail

 
At right is a close-up of a monstrance, and inside the glass
enclosure is a crescent, upon which the round wafer god host is placed,
a virtual duplication of the symbology of the Canaanite and Chaldean
stele shown above. Many monstrances use this crescent, which is
officially called a "lunette" or "luna" (moon), to hold the round wafer
host. The sun disk in the crescent moon is a quite common symbol for
pagan religions, to include Babylon, Syria, and India.

From the video "666 and the Mark" by
James Arrabito,


Copyright ©
LLT Productions

- Used by Permission

Worshipping the Eucharist as God

Images from the video "666 and the Mark"
by James Arrabito,


Copyright ©
LLT Productions

- Used by Permission

Above on the left you see the pagan sunburst wafer god, inscribed with IHS
and the cross, is portrayed above the cup of wine. This is the door to a place
where the wine and wafers are stored. Above on the right, you see a similar
carving depicting angels kneeling in idolatrous adoration or worship of the
wafer god and wine.

In case you think the word "worship" is an exaggeration on my part, please
note this paragraph from the new Vatican Catechism of the Catholic Church:
(Italics present in the original text)



1378 Worship of the Eucharist. In the liturgy of the Mass we
express our faith in the real presence of Christ under the species of bread
and wine by, among other ways, genuflecting or bowing deeply as a sign of
adoration of the Lord. "The Catholic church has always offered and still
offers to the sacrament of the Eucharist the cult of adoration, not only
during Mass, but also outside of it, reserving the consecrated host with the
utmost care, exposing them to the solemn veneration of the faithful, and
carrying them in procession."


Source: Catechism of the Catholic Church, published by Ligouri
Publications, English translation © 1994 by the United States Catholic
Conference, Inc.--Libreria Editrice Vaticana, bearing the Imprimi Potest of
Joseph Cardinal Ratzinger, page 347.

And note this decree concerning the Most Holy Sacrament of the Eucharist
from the thirteenth session of the Council of Trent, October 11th, 1551:

Chapter V

 THE WORSHIP AND VENERATION TO BE SHOWN TO

THIS MOST HOLY SACRAMENT

There is, therefore, no room for doubt that all the faithful of Christ
may, in accordance with a custom always received in the Catholic Church,
give to this most holy sacrament in veneration the worship of latria,
which is due to the true God.

Source: The Canons and Decrees of the Council of Trent, Translated
and introduced by Rev. H. J. Schroeder, O.P., Published by 
Tan Books
and Publishers, INC.,
Rockford Illinois, 61105, © 1978, ISBN: 0-89555-074-1, page 76.

Here is the 
Thirteenth Session
of Trent
online. See Chapter V.


Dominicae
Cenae
- On the Mystery and Worship of the Eucharist, promulgated by
John Paul II On February 24, 1980 To All the Bishops of the Church.

Conclusion

So the Catholic Church describes itself in its documents as engaged in the act of
worshipping
the Eucharist, which is also called adoration or
veneration. Isn't it amazing how the Catholic Church justifies bowing down
before images of the sun, as depicted by the monstrance and a round wafer, by
claiming the bread has actually become God! God's commandment is
cleverly made of no effect by the Traditions of men, by mixing error and
truth.

Note these 100 Lire coins issued by the Vatican for nearly 10 years. (Click
on a coin for a closer look.)




Pope Pius the 12th - 1958 



Pope John the 23rd - 1959 
CITTÁ DEL VATICANO - CITY OF PROPHECY





Pope Paul the 6th - 1963 

Incredibly enough, the woman representing faith (the Catholic Church) on
the reverse side of the coins holds up a cup in her right hand, in which you
see pagan sunburst wafer god, which recalls these verses in Revelation:

Rev 17:4 And the woman was arrayed in purple and scarlet colour, and
decked with gold and precious stones and pearls, having a golden cup in her
hand full of abominations and filthiness of her fornication:

Rev 18:3 For all nations have drunk of the wine of the wrath of her
fornication, and the kings of the earth have committed fornication with her,
and the merchants of the earth are waxed rich through the abundance of her
delicacies.

The cup of wine of the apostate woman (church) represents spiritual and
doctrinal fornication, a mixing of truth and error, Christianity and paganism,
which she has taught to the world (made the nations drink).


Rev 17:5 And upon her forehead was a name written, MYSTERY, BABYLON THE
GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.


There is only one self-proclaimed "Mother" church, The Universal (Catholic)
Church.


Rev 18:4 And I heard another voice from heaven, saying, Come out of her,
my people, that ye be not partakers of her sins, and that ye receive not of
her plagues.

Rev 18:5 For her sins have reached unto heaven, and God hath remembered her
iniquities.


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PAGAN SUN WORSHIP AND CATHOLICISM

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PAGAN SUN WORSHIP AND CATHOLICISM

THE PAGAN SUN WHEEL, THE OBELISK AND BAAL

Above is a Roman coin from the 3rd century A.D. (Probus, A.D.
276-282) which on the reverse depicts the pagan sun god driving a
chariot drawn by four horses (Sol in Quadriga). The inscription reads
SOLI INVICTO - The Invincible Sun.]

At right is a similar mosaic found in the Vatican grottoes under St.
Peter's Basilica, on the vaulted ceiling of the tomb of the Julii
(also known as "Mausoleum
M")
. It
depicts Christ as the sun-god Helios / Sol riding in his chariot, and is
dated to the 3rd century A.D. The two left horses were destroyed when
the hole was made to enter the tomb. Other mosaics in this Christian
tomb depicted Jonah and the whale, the good shepherd carrying a lamb,
and fishermen. This blending of paganism with Christianity is
syncretism, and apostasy.


At left is a pagan sun wheel in the temple at Kararak
India, which is associated with occultism and astrology. It resembles a
chariot wheel doesn't it?


Note the following verse-


2 Ki 23:11 And he took away the horses that the kings of
Judah had given to the sun, at the entering in of the house of the LORD,
by the chamber of Nathanmelech the chamberlain, which was in the suburbs,
and burned the chariots of the sun with fire.

When Israel apostatized, they made chariots dedicated to the sun god, who
it was thought, traveled across the sky in a great chariot. Hence the origin
of the sun wheel.

The Symbols of Baal, Ishtar and Shamash

Below is an artifact unearthed in the holy of holies of the pagan temple in
the Canaanite city of Hatzor / Hazor, in northern Israel. It is described as
follows:

"Of special interest is a square basalt altar for burning
incense. On one of its sides, a circle with a cross in the center � the
divine symbol of the Canaanite storm god � is carved in low relief."

"... a basalt offering table, pillar-shaped, with a carved symbol of
the storm god Baal on its side. That symbol was a circle with a cross in
the center"

... The Akkadian Ishtar is also, to a greater extent, an astral deity,
associated with the planet Venus: with Shamash, sun god, and Sin, moon god,
she forms a secondary astral triad. In this manifestation her symbol is a
star with 6, 8, or 16 rays within a circle. ...

Source: Encyclopedia Britannica Online, article on Ishtar.

The Star of Ishtar

Because some astronomical objects move through the sky in repeated and
known intervals of time, the behavior of the celestial gods associated with
them can be symbolized numerically. Ishtar, as the planet Venus, perhaps was
handled this way in the eight-pointed star that usually stands for her on
Babylonian boundary stones.

References to Venus as early as 3000 BC are known from evidence at Uruk,
an important early Sumerian city in southern Iraq. One clay tablet found at
the site says "star Inanna," and another contains symbols for the words
"star, setting sun, Inanna." Inanna is Venus, known later as Ishtar, and the
Uruk tablets specify her celestial identity with the symbol for "star": an
eight-pointed star.

So can the star within a circle, or sun wheel, be found in the Vatican in
Rome? Indeed it can!

Here is a photo of the papal palace with the pope at the
window of his apartment. Note the many eight-pointed stars of Ishtar in
the decorative work above the windows. Some are within a darker circle.
Here you see a view of the piazza or plaza at the Vatican,
also known as St. Peter's square. The papal palace is on the right edge of
the photo. The large eight-rayed sun wheel design, symbolic of Ishtar, is
immediately noticeable. Look closely in the center of the wheel. What you
see there is an obelisk, a genuine Egyptian obelisk shipped from
Heliopolis to Rome by the Roman emperor Caligula. The obelisk is, of
course, a phallic symbol,* but it also was used in sun worship. Click on
the image to view a larger version of the same image.

* It is claimed that the word 'obelisk' literally means
'Baal's shaft' or 'Baal's organ of reproduction'.  Source:
Masonic
and Occult Symbols Illustrated,
by Dr. Cathy Burns, pg. 341.

Here is an old photo of the center of St. Peter's
square, and note that around the obelisk, at the center of the huge
eight-point sun wheel, is a smaller four-pointed sun wheel, the same
symbol as found on the altar stone in the temple of Baal in Hatzor!
Here you see the reverse side of a coin celebrating the pontificate
of John Paul II, and on it is the obelisk and sun wheel of St. Peter's
piazza, and a very distinct sunburst emanating from the Basilica itself.
The correlation of the symbology is striking.

Pope John Paul II, at World Youth Day 2000, was wearing
a crimson and gold
stole
, which bears the symbols of Baal / Shamash within an
eight-pointed star of Ishtar. An enlargement is shown below.

Pope Pius XII wearing the
same stole.
 



Symbol of Baal

found in Hazor, Israel
Detail of the symbol on the papal stole.




Symbol of the

pagan sun-god Shamash

The Obelisk

The Egyptian obelisk that stands in the
square of St. John Lateran (shown at left) is the largest in existence.
Originally carved during the reign of Pharaoh Thutmoses III, it stood in
the Temple of Amon in Thebes (Karnak), but was removed to Rome by emperor
Constantius (A.D. 317-361), and placed in the Circus Maximus. In 1587 Pope
Sixtus V unearthed the fallen, broken and long forgotten obelisk and had
it repaired and placed in the Piazza S. Giovanni in Laterano.
Interestingly enough, it is possible that Moses saw this very obelisk when
he was in Egypt. Now this obelisk, meant to honor the sun god, stands
beside what Catholics call the supreme
"Mother of all Churches"
, the official cathedra of the bishop of Rome,
the Pope, which brings to mind Revelation 17: 5 and the apostate Mother
Church, Mystery Babylon, the mother of harlots, who stands accused of
fornication, a mixing of the sacred with the profane, truth with error.



Mysteries of the Nile (NOVA)



Egypt - Amazing Discoveries


OBELISK. Of the several functions of the PILLAR among early peoples,
the Egyptian obelisk was worshipped as the dwelling place of the sun-god.


Source: Illustrated Dictionary of Symbols in Eastern and Western Art by
James Hall, published by HarperCollins, 1994, page 75.


The pagan association of the obelisk was something well understood by the
church. The Jesuit scholar, Athanasius Kircher in his book Obeliscus
Pamphilius
, published in 1650, gives an account of the ancient views of
the obelisk as the digitus solis, or "finger of the sun".

Pope Sixtus V (1585 - 1590) had the Egyptian obelisks erected all over
Rome, as Counter-Reformation monuments.

The word matstsebah in Hebrew means standing images or obelisk and it can
be found in many places of the Bible. Here is Strong's definition of the
Hebrew word matstsebah-


H4676. matstsebah, mats-tsay-baw'; fem. (causat.) part. of H5324;
something stationed, i.e. a column or (memorial stone); by anal. an
idol:--garrison, (standing) image, pillar.


In the following verses matstsebah has been translated as image(s)-

Exo 23:24 Thou shalt not bow down to their gods, nor serve them, nor do
after their works: but thou shalt utterly overthrow them, and quite break
down their images.

Exo 34:13 But ye shall destroy their altars, break their images, and cut
down their groves:

Lev 26:1 Ye shall make you no idols nor graven image, neither rear you up
a standing image, neither shall ye set up any image of stone in your land,
to bow down unto it: for I am the LORD your God.

Deu 7:5 But thus shall ye deal with them; ye shall destroy their altars,
and break down their images, and cut down their groves, and burn their
graven images with fire.

Deu 12:3 And ye shall overthrow their altars, and break their pillars,
and burn their groves with fire; and ye shall hew down the graven images of
their gods, and destroy the names of them out of that place.

1 Ki 14:23 For they also built them high places, and images, and groves,
on every high hill, and under every green tree.

2 Ki 3:2 And he wrought evil in the sight of the LORD; but not like his
father, and like his mother: for he put away the image of Baal that his
father had made.

2 Ki 10:26 And they brought forth the images out of the house of Baal,
and burned them.

2 Ki 10:27 And they brake down the image of Baal, and brake down the
house of Baal, and made it a draught house unto this day.

2 Chr 14:3 For he took away the altars of the strange gods, and the high
places, and brake down the images, and cut down the groves:

2 Chr 31:1 Now when all this was finished, all Israel that were present
went out to the cities of Judah, and brake the images in pieces, and cut
down the groves, and threw down the high places and the altars out of all
Judah and Benjamin, in Ephraim also and Manasseh, until they had utterly
destroyed them all. Then all the children of Israel returned, every man to
his possession, into their own cities.

Jer 43:13 He shall break also the images of Bethshemesh, that is in the
land of Egypt; and the houses of the gods of the Egyptians shall he burn
with fire.

Micah 5:13 Thy graven images also will I cut off, and thy standing images
out of the midst of thee; and thou shalt no more worship the work of thine
hands.

Another Hebrew word is also used for "sun images" or obelisks, the word
chamman. Again, here is the Strong's definition-


H2553. chamman, kham-mawn'; from H2535; a sun-pillar:--idol,
image.


Chamman is also translated as simply image(s) in the King James:


Isa 17:8 And he shall not look to the altars, the work of his hands,
neither shall respect that which his fingers have made, either the groves,
or the images.


Isa 27:9 By this therefore shall the iniquity of Jacob be purged; and
this is all the fruit to take away his sin; when he maketh all the stones of
the altar as chalkstones that are beaten in sunder, the groves and images
shall not stand up.


2 Chr 34:4 And they brake down the altars of Baalim in his presence; and
the images, that were on high above them, he cut down; and the groves, and
the carved images, and the molten images, he brake in pieces, and made dust
of them, and strowed it upon the graves of them that had sacrificed unto
them.


Here is a close-up of the obelisk in front of St. Peter's.
Have you ever given any thought to the origin of the church steeple? Could
it be a modern representation of the pagan obelisk? Indeed!


So in St. Peter's square, the symbol of Baal is within the
symbol of Ishtar, and at the center is an Egyptian obelisk, all
representing pagan sun worship.


Pope Celebrates Palm
Sunday at Pagan Sun Pillar




Images � 2000
by CTV

Above are pictures of John Paul II, dressed in scarlet,
celebrating Palm Sunday in St. Peter's square on April 16th, 2000, with a
"grove" of potted palms and hundred-year-old olive trees placed around the
standing solar pillar (matstsebah) or obelisk, in the center of the Vatican's
large pagan solar wheel symbolizing Baal and Ishtar.

Deu 16:21 Thou shalt not plant thee a grove (asherah) of any
trees near unto the altar of the LORD thy God, which thou shalt make thee.

Deu 16:22 Neither shalt thou set thee up any image (matstsebah / pillar);
which the LORD thy God hateth.

Now below are two photos of a statue in St. Peter's
Cathedral in Rome.


SCALA Florence

It is supposedly a statue of Peter enthroned. Notice the sun
wheel above his head? This statue is thought by some to actually be a pagan
statue of Jupiter, removed from the Pantheon in Rome (a pagan temple), moved
into St. Peter's and renamed Peter. The extended right foot has been nearly
worn away from the many pilgrims who kiss it in homage. Note also that the
pattern on the wall behind the statue utilizes the symbol of Baal / Shamash!

According to the Catholic Encyclopedia online article
Portraits of
the Apostles
:


The famous bronze statue of St. Peter in the basilica of this
Apostle in Rome is by some regarded as a work of the fifth or sixth century,
by others as pertaining to the thirteenth. The latter date is adopted by Kraus
and Kaufmann among others; Lowrie, however, maintains that "no statue of the Renaissance can be
compared with this for genuine understanding of the classic dress", and,
therefore, this writer holds for the more ancient date. The marble statue of
St. Peter taken from the old basilica, now in the crypt of the Vatican, was
originally, in all probability, an ancient consular statue which was
transformed into a representation of the Prince of Apostles.


From the book Art Treasures of the
Vatican


� 1974 by Smeets Offset B.V.

Prentice-Hall, Inc.

Here you see a photo looking up into the dome of St.
Peter's. Notice the very obvious 16 ray sun wheel. Indeed the light from
the sun streams into the center hub of the dome making a genuine sun-lit
sunburst image at the center of the wheel.


As you can see from the Bible verses quoted above, these
symbols were associated with sun worship, which is strongly condemned in
scripture. So why are they so prevalent in the Roman Catholic Church, if
they are associated with paganism and apostasy?


Ezek 8:16 And he brought me into the inner court of the LORD'S house,
and, behold, at the door of the temple of the LORD, between the porch and
the altar, were about five and twenty men, with their backs toward the
temple of the LORD, and their faces toward the east; and they worshipped the
sun toward the east.

Ezek 8:17 Then he said unto me, Hast thou seen this, O son of man? Is it a
light thing to the house of Judah that they commit the abominations which
they commit here?


Read more at www.aloha.net
 

Steeples and the Church

Steeples and
the Church


George W.
Reid, Former Director

Biblical Research Institute

      This
paper reviews a document titled "Church Steeple Study," dated June 10,
1986, and presented to the Mount Vernon, Ohio, City Seventh-day Adventist
Church. Although the document of 54 pages bears no author's name, auxiliary
information suggests it to be the work of Mike Hodges, sometime pastor
in the Illinois Conference.


The
Document and Its Arguments


      "Church
Steeple Study" opposes the use of steeples in connection with Christian
churches on the grounds that incorporating a steeple into a church building
plan compromises the proper Christian rejection of paganism and permits
the encroachment of apostate attitudes and practices.

Its principal argument rests on the following series of major points:


      1.    A steeple
or tower in association with a place of worship was a feature of ancient
paganism, oriented to sun worship and fertility cultus. A common form,
especially in Egypt, followed the geometric figure known as obelisk, which
in places served also as a phallic symbol. Such pagan symbols are inappropriate
in Christian churches.

      2.    The Bible
presents in much detail the struggle of Israel to preserve the place of
traditional worship of Yahweh in face of the influence coming from surrounding
pagan religions. Many biblical passages warn of the danger that these
elements posed to the faith of Israel. These warnings are applicable today
as churches are tempted to use symbols, the steeple being one of them,
whose origins are pagan.

      3.    Ellen White's
testimony in favor of simplicity of church buildings should be interpreted
to suggest she would be opposed to the use of steeples.

      4.    Principles
of Christian stewardship should govern construction of church buildings
and preclude investing funds in a steeple.

      5.    The Battle
Creek Dime Tabernacle, with its steeple 110 feet in height serves as an
example of what to avoid. Its construction drew the criticism of Ellen
White,

      6.    Those who
made decisions about steeples on churches need to consider the sensitivities
of others who have conscientious objection to them. This is in harmony
with Paul's counsel on how to deal with sincere discenters.


Examination
of the Arguments


      Although
several of these arguments contain elements that are factual, each has
weaknesses to be taken into account as the evidence is weighed.

      1.    Towers were
a feature of places of ancient pagan worship. This observation must be
accepted as correct, for there are records of numerous examples in ancient
temples and the open sacred places of certain ancient cults. Careful examination
of their function, however, often reveals no evidence of involvement in
either sun worship or fertility rites. In many cases they seem to have
served simply as attention-getting architectural devices to mark special
buildings. Although it is possible pillars were used for sacral purposes
in some places, to treat them widely as sun-worship or phallic symbols
is unwarranted. Reliable evidence of such use is sparse.

       But a greater problem lies in logic
of this argument. If one grants such pillars to be symbols significant
to ancient pagan rites, the question then must be addressed, Did such
use in antiquity mark them forever as evil, a continuing residue of paganism?
This is the major contention of "Church Steeple Study."

       Such reasoning is unsound on several
counts.

       a.    It is widely
recognized that in the teaching of the Bible, particularly Jesus' interpretation
of the law, the essence of worship is to be found in inward acceptance
and commitment, of which outward manifestations are reflective (1 Sam
16:7, Matt 5:20-37; 12:34-35; Mark 7:21-23). This principle appears in
many different biblical settings addressing different issues. To recognize
this is not to depreciate the importance of correct worship practices,
but to establish biblical priorities.

       b.    Does an
element once applied to pagan purposes stand henceforth marked by its
pagan meaning? Clearly any form used to represent God is prohibited by
the second commandment, ruling out the use of images of God. This principle
extends beyond sculptural three-dimensional forms because to reduce God
to any visible form both limits our concept of Him and misrepresents His
nature. Artistic representations of angels and other creatures have biblical
precedent, but never as objects of adoration.

       Aside from second commandments prohibitions,
the key question is what an object means within a given culture. Clearly,
condemning modern practice on the basis of former pagan use is untenable.
To do so would disqualify virtually every object and practice in current
use, for almost everything in worship today once was used in some ancient
pagan religion. Examples come to mind easily. Most modern church buildings
borrow architectural features refined in antiquity for pagan temples,
including colonnades, pilasters, the arch, and even the pitched roof.
Ancient writings describe the use of books, music, lamps, water, tables,
chairs, wine, and bread in heathen rites prior to their mention in Hebrew
practice. Yet wine and bread were selected by Jesus Himself as symbols
to represent His blood and body, despite a history of their ritual use
in pagan temples for thousands of years beforehand. To apply today the
standard of whether an object or practice had pagan uses in antiquity
is to establish a standard not demonstrated in the Scriptures themselves.


       Readers of the Old Testament Scriptures
will recall that the temple of Solomon was flanked by two tall pillars
set in the porch at the front of the temple (1 Kings 7:21-22). Crowning
these pillars was lily work, which recalls the style of certain Egyptian
pillar motifs. If pillars are evil in themselves, we are confronted with
the irony of seeing them incorporated into the design of the temple of
the Lord as constructed by Solomon. Nor should we forget God's acceptance
of that temple (with its pillars) by setting His Shekinah presence in
it.

       As a matter of historical fact the
temple of the Lord in Jerusalem was far from unique when compared with
other religious buildings of the time. Numerous architectural parallels
are described in Lawrence T. Geraty's essay, "The Jerusalem Temple of
the Hebrew Bible in Its Ancient Near Eastern Context" (in The Sanctuary
and the Atonement, ed. A. V. Wallenkampf and W. Richard Lesher. Washington,
DC: General Conference of Seventh-day Adventists, 1981. Available from
the Biblical Research Institute). Multiple architectural parallels between
the temple in Jerusalem and other contemporaneous religious structures
support the idea that it was not the physical structure that determined
acceptability or lack of the same, but the purpose to which the structures
or features were put.

       The relevant question today is how
something is perceived in its contemporary culture. If it has lost the
suggestion of pagan affinity there is no sound reason to disqualify it
with resurrected pagan associations. The crucial questions must be: Is
it now viewed as in some way dishonorable toward God? Is its effect compatible
with the goals of the gospel of Christ? and Is it helpful? These norms
must be applied to decisions relating to steeples as well, regardless
of their similarity or dissimilarity to towers or monuments used for entirely
different purposes by some in ancient times.

       2.    The proximity
of pagan religions constituted a continuing threat to the purity of Israelite
worship. Repeatedly the Hebrews lapsed into pagan worship, yielding to
influence from contemporary neighboring religions. The records, both written
and archaeological, paint a doleful picture of capitulation. The constant
threat of syncretism and outright apostasy contributed to the later Pharisaic
mentality so well known from the New Testament. Pharasaism is remembered
for its fierce determination not to compromise in the least detail.

       "Church Steeple Study" occupies several
pages citing God's warnings to Israel against adopting elements from surrounding
pagan cults. The document contends that these warnings apply against use
of steeples today which are treated as modern adaptations of the ancient
pagan worship aids. Behind this position lies the presupposition that
despite a radical change in cultures, a tower remains today in and of
itself pagan, hence forever under the condemnation of God's ancient warnings.
The weakness of treating towers as perpetually pagan was addressed in
section 1.

       If a steeple today stands for pagan
concepts before the community, then all would agree that it is inappropriate
for Christian usage. If such connotations are absent today, the paganism
argument loses its force. Few today would contend that a steeple conjures
up in the modern mind a picture of paganism. In contrast, to most people
now it is interpreted as a Christian symbol. Although a steeple is not
an obligatory architectural feature to express Christian presence, with
some types of contemporary architecture it may be the only exterior architectural
signal to distinguish the church from a warehouse, a general-purpose auditorium,
or even an amusement hall.

       3.    Mrs. White
was an advocate of church buildings that were simple in structure (in
contrast to the Victorian inclinations to ornament), in order to bear
witness to the pilgrim character of a people whose values are controlled
by the anticipation of Christ's return. For such needless display is denial
of the message. But when read in full, she calls for substantial houses
of worship that testify to the measured reasonableness of the faith, what
she describes as the God-fearing character or the Advent movement. By
this she means substantial but not ostentatious, structure that is neat,
orderly, and attractive. Nowhere does she criticize employment of a steeple
in pursuing these goals.

       For reasons of cost and size alone,
early Adventist churches followed the simplest lines of architecture,
in common with those of other Christians along the American frontier.
It is a mistake to interpret the simple style of these buildings as a
necessary pattern or invest it with theological orthodoxy. Styles of church
buildings vary significantly among the varied cultures around the world,
each seeking to express Christian principles of the Adventist faith in
a way meaningful to its locale.

       4.    Principles
of stewardship prohibit building steeples on churches. This argument expresses
a legitimate concern but is subject to extreme expressions based on unclear
norms. Almost any architectural feature can become suspect, including
carpets, organs, padding on pews, heating, air conditioning, and others.
Valid norms could well include (a) faithfulness to the Christian witness,
(b) the impact for witness to the surrounding public, such as the church's
neighbors, (c) compatibility with the overall plan of the church, (d)
usefulness of the feature in promoting more effective worship and physical
comfort, (e) aesthetic considerations, and (f) certainly the capacity
of the congregation to fund the feature.

       The spirit of the gospel encourages
frugality and self-restraint, but not stinginess. It is generous to persons
and worthy causes and does not support a severe monastic mind-set. In
fact the concept that God's house should be nicer than our personal residences
is in harmony with biblical precedents. If a steeple could be shown to
represent an inordinate or extravagant proportion of the cost of a house
of worship, the economic argument would have a telling impact and should
be taken seriously. Typically, however, such is not the case, and often
a simple fiberglass spire represents no more than one or two per cent
of the total building cost. In such a case the argument of poor stewardship
bears little weight.

      5.    The
Battle Creek Tabernacle is a negative example. During the l870s the Adventist
community in Battle Creek increased rapidly, creating pressures for an
enlarged place of worship. A plan was devised, requesting every Adventist
to contribute a dime each month for the period of a year, a total of $1.20
each. The plan was promoted vigorously by James White and led to construction
of a 4,000-seat church with a prominent 110-foot steeple rising above
it, as well as three smaller towers. Its architectural style was typical
of the late Victorian period. The foundation stone was laid on August
19, 1878, and its dedication took place April 20, 1879, less than nine
months later. The Whites were in Texas at the time of dedication, so were
not present for the occasion.

      "Church Steeple Study" points out that
earlier church buildings in Battle Creek had been much smaller and of
simple style, suggesting that the Dime Tabernacle was an example of apostasy.
Evidence shows, however, that the new building had vigorous support of
the Whites. A list of contributors published in September 1878, shows
that of the 300 contributors to that point, only six had given more than
$100. Among the six were Mr. and Mrs. W. C. White ($224.50), James White
($205.00), and Ellen G. White (105.00).

       But all was not well in Battle Creek.
A serious spiritual problem existed, characterized by much criticism,
gossip, and mistrust. This prompted Mrs. White to send strong testimonies
urging reform (5T, 45-84). "Church Steeple Study" cites passages from
these testimonies that condemn worldliness, a luxury-seeking spirit, and
corrupt and idolatrous practices, using the term "church" as though the
testimonies disapproved of the new Battle Creek church building. In fact,
these testimonies make no reference to the building or its steeples, despite
lively correctives to the congregation for other wrongs. While arguments
from silence have limitations, her failure to cite features of the new
church building as departures from the faith must receive consideration,
especially as she catalogues numbers of other shortcomings.

       6.    Sensitivity
needs to exist toward the convictions of other Christians. This argument,
with clear biblical precedent, deserves thought. Perhaps the most well-known
example in the New Testament is the difference over circumcision and foods
offered to idols. Paul's position on these questions is enlightening.
Although on a personal basis he acted in a way to avoid giving offence
to believers with convictions contrary to his (Rom 14:1-13; 1 Cor 8:1-13),
the apostle unhesitatingly opposed the rationale behind such convictions,
going so far as instruct believers to eat whatever is sold in the market
without raising questions of conscience, built on the premise that its
prior consecration to an idol is as nothing because the idol itself is
nothing (1 Cor 10:25-27, Rom 12:14, 1 Cor 8:4). If, however, a brother's
personal sensitivities were to be offended, then he would take steps to
avoid raising offense.

       To balance this practice, however,
Paul also writes, "Why should my liberty be determined by another man's
scruples?" (I Cor 10:29). He wants it to be clear that in voluntarily
denying himself something on a personal basis he is not establishing policy
for the church as a whole.

       In the spirit of this counsel, then,
if significant discord would be raised in a local congregation today by
a steeple on the building, good judgment and Christian charity might well
lead to its omission. However, this should not encourage steeple opponents
to raise controversy in the congregation over an issue not based on valid
biblical evidence. People with strong convictions against steeples must
have opportunity to express their feelings, but they too are under obligation
to place unity in the church above private convictions and seek for harmony.



Conclusion



      The
"Church Steeple Study" document gives evidence of earnest effort to protect
the faith from compromise, especially from ancient errors in modern guise.
This effort deserves to be commended. However, several positions taken
in the document are based on inadequate information, which weakens its
force, no matter how sincere the author.

       While recognizing the sincere concern
manifest in the document, other problems lead to reservations about its
conclusions. For convenience these may be listed.

       1.    The document
is based upon incomplete and inadequate information. Superficial conclusions
prove inaccurate when subjected to the scrutiny of intensive research.
In general, citations of authority in the document rely on a limited number
of publications of a sensational or partisan character. Recognized authorities
in the fields of archaeology, ancient religions, ancient architecture,
and religious development are missing from the list of citations.

       Although one may legitimately differ
with interpretations made by recognized authorities, it is not reasonable
to dismiss the facts they have unearthed or their qualifications to come
to conclusions. We must not allow anti-intellectual sentiment to cloud
our access to fact. Nor can we rely on sensational books or articles promoting
partisan views. A number of the books cited in the document are of such
character.

       2.    By and
large the document's argument turns on the unfortunate presupposition
that something put to wrong use in the past remains objectionable today,
even though it now is in an entirely different setting. This creates a
problem of logic that, while attractive at a surface level to some, simply
is in error when all the facts are considered. Objects are of themselves
morally neutral. It is when put to a wrong use the object must be examined
in light of the message it carries. In modern culture the steeple carries
neither pagan connotation nor phallic significance. It is not reasonable
to create in the modern mind some pagan or obscene meaning in order to
be able to attack use of the object. In both presuppositions and logic
this document needs change.

       3.    The document's
use of both biblical and Spirit of Prophecy writings is at times unjustified.
Biblical condemnations of pagan practices in their own time were entirely
legitimate, a part of God's inspired message.

       The prophets cried against architectural
or natural features as they were misused in the worship of false gods.
The gods of today reflect our more sophisticated age, exhibiting themselves
as secular godlessness, materialism, commercialized sports, and other
activities whose demands for attention displace the claims of the Creator
God. In antiquity paganism challenged the principle of God's sole sovereignty
by setting up competing gods of stone, metal, or wood. Today modern life
challenges that same principle, but in altered ways.

       In the document both biblical texts
and statements from the Spirit of Prophecy are taken and used repeatedly
for the wording they contain, without the interpretative matrix of context.
This is an unwarranted use of both sources.

       Based on a careful analysis of the
information available from the Bible, Spirit of Prophecy, and ancient
religious history, there is not sound reason today to oppose steeples.
Possibly steeples are offensive to the eye on aesthetic or other grounds.
Church leaders should listen to all points of view prior to making decisions,
and then act only after weighing all the elements. Above all, it is our
Lord's will and prayer that believers be in harmony with one another,
pressing together toward the highest goal set before the church: proclamation
of the final message to the world in preparation for Jesus' return.

Read more at biblicalresearch.gc.adventist.org